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Plate 40 by Ogino Issui Canvas PrintSomewhere between Ogino Issui and early twentieth century Japanese woodblock, this fish study refuses to behave. Reeds cut across the picture like flat strokes, and the fish slip between them in cream against a deep olive ground. On the wall, the room calms down. The deep green pulls the eye, the cream gives it somewhere to rest, and the whole thing feels considered without being precious. It works above a low console, beside a reading chair, or at

and the whole space picks up a holiday-postcard mood without trying too hard

With Angel Applicant

with a little breathing space either side

A lovely keepsake for anyone who has wandered Alfama on holiday

Looks especially good behind a small jug of fresh stems

The frog stares straight out

It works best on a kitchen wall

and warmer materials nearby gain a bit of weight

and a plain shelf reads like a styled one

and don't try to balance it with pastels — it wants room and quiet neighbours

Best above a breakfast table

and walls painted in colours that argue happily with each other